How we'll win the war...
(the home front version)
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We'll get Louis I. Kahn to design a nifty home for us Two
houses are featured in this issue, the Kahn cutie above, and a Gerald Colcord
colonial stone house built in that center of colonialism, Beverly Hills,
California. Other design features: Lavishly illustrated cover article on
modern glass: Libbey, Corning, Georg Jenson and Orrefors. ("...one of the
few imported pieces still available.") New York landscape architect
Cynthia Wiley designs "suntraps" for your garden, Richardson Wright discusses
furniture placement, lighting techniques illustrated by a Henry Harding
house in Palm Beach, "seen over a decorator's shoulder"... rooms from Marshall
Field's Southwest House (!), Greek Revival House, and an apple-themed room
in Rich's, Atlanta.
And I
quote: "Cactus motif in aspen yellow and pinon green on greige curtains
and rug in the large living room. Sofa, chair and walls are likewise
greige. Real cactus in pots repeats design of curtains and rug."
I believe this is where Gene Tierney first spots Cornel Wilde in Leave
her to Heaven.
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We'll freshen up our lipstick, light up a smoke, and whip up some cold
orange mousse. Let's keep those home fires burning, shall
we? Mysterious cosmetics ads (Tone, Luxuria, anyone?).
Recipes in a chiding tone from the owner of the Cordon Bleu ("American
women women should be the best cooks in the world... But though I have
many who could cook, some superlatively, I think by and large they are
spoiled."). The following (I think) hilarious ad for Marlboros:
The
luxury cigarette? When, do you suppose, did that demographic
change?!
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We'll think about all the things we're going to BUY. After. This
was one of the most idiosyncratic aspect of the wartime magazines: ads
for stuff you can't buy. Got any Spode china? Nope. Happen
to have any of that Wallace silver on ya? Uh uh. May I please
buy a Lincoln? Not bally likely, Miss. (The Lincoln ad features
a lovely, sun-dappled empty road-- Route 32 along the New Hope Canal.)
Take a gander at this astonishing ad for Gump's, will you?
"Some
day, when despoiling invaders have been swept into the sea, the good earth
of China will give up its buried treasure... Meanwhile, Gump's remains
a world-famed show place for pre-war importations..." Oh, my.
There is so very much to appall one here that I, jeans., am at a loss for
words... Let's move on to the next one, shall we?.
"Today,
Wallace craftsmen dedicate their skills to victory. But plan now
for the post-war era when silver will again be available in larger quantities
for gracious living."
Some manufacturers are not content simply to tell you that you may not
buy their goods. Take Spode, for example:
Don't even think about buying this India Tree
plate!
You'll be sorry, Sister!

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We'll get snockered. No, really, there are more rum ads in
this issue than I've ever seen in my life. I count at least six.
(I know, I know. I'm slicing the limes right now, would you get out
the Blen-dor?)
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And while we're accomplishing the above, we'll enjoy those idiosyncratic
'40s design motifs. In this regard, All I Know I Learned From
Bevis Hillier: It's all there, folks. Victorian themes (below),
the husband-in-the-picture-frame motif, the South American/ Cuban obsession...
You're reeling from my apparent mastery of 1940s
iconography, aren't you. Say, just how old is this jeans., any how?
Not
that old, thank you very much. And nope, I'm not a reincarnation
of Reyner Banham either, (bless his soul). I tell you I cribbed it
all from Bevis Hillier's The Style of the Century! He's a
wonder, he is.
?